Moondial, multi-media installation, 1999. Redding Museum of Art, Redding, CA. Sundials connect humans to a specific time in a specific place. When viewed in an older country garden the sundial afforded the visitor a glimpse into the past: a place w
Moodial, detail of opposite view.
Six Tulips, multi-media installation, 1996. Lane Community College, Eugene Oregon and the University Gallery, California State University, Chico, CA. According to gardening manuals, a tulip is considered a perfect bulb, e.g., a "bloom that contai
In and Out of the Garden, multi-media installation, 1997. Cabrillo College Art Gallery, Cabrillo College, Aptos, CA based on the artist’s new experiences of working with the land. The piece consists of an architectural site (house) and a minimal gar
Lost Sight, multi-media installation, 1992. exhibited at the Institute of Design and Experimental Art, Sacramento, CA. This installation was created in direct response to the April 1992 L.A. riots (the artist was in Santa Monica building PERVERTED
The Social Moralists, multi-media installation, 1992. Exhibited at the University Gallery, California State University-Stanislaus, Turlock, CA. As the gallery’s first installation, the piece addressed dogmatic art criticism argued by Donald Kuspit
Perverted Issues (Evaded Answers), multi-media installation. 1991-2. Exhibited at HIGHWAYS’s, Santa Monica, CA., Womankind Festival (May 1992), WORKS/SAN JOSE San Jose, CA and 1078 Gallery, Chico, CA. The multi-media installation addressed the immed
Aftermath, multi-media installation, 1987. Gallery One, Spirit Square Center for the Arts, Charlotte, NC. The walls of the 40' x 17' exhibition space were painted to become a grey field in which large stylized violent brushmarks were presented. T
Kam E Flazh, multi-media installation, 1988-89. Exhibited at Nexus Contemporary Art Center, Atlanta, GA. and Pyramid Arts/Center for Visual and Performance Art, Rochester, NY. Two hundred and fifty composite slides (computer graphic and color photo
Kam E Flazh, detail.
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